One, two, three and to the four
Snoop Doggy Dogg and Dr. Dre is at the door
Ready to make an entrance so back on up
'Cause you know we're 'bout to rip **** up
Give me the microphone first so I can bust like a bubble
Compton and Long Beach together, now you know you in trouble
Ain't nothing but a G thing, baby
Two loced out ****** going crazy
Death Row is the label that pays me
Unfadeable so please don't try to fade this (Hell yeah)
But, um, back to the lecture at hand
Perfection is perfected so I'ma let 'em understand
From a young G's perspective
And before me dig out a ***** I have to find a contraceptive
You never know, she could be earning her man and learning her man
And at the same time burning her man
Now, you know I ain't with that ****, Lieutenant
Ain't no ***** good enough to get burnt while I'm up in it (Yeah)
And that's realer than Real-Deal Holyfield
And now you hookers and hoes know how I feel
Well, if it's good enough to get broke off a proper chunk
I'll take a small piece of some of that funky stuff

It's like this and like that and like this and a—
It's like that and like this and like that and a—
It's like this and like that and like this and a—
Dre, creep to the mic like a phantom

Well, I'm peeping and I'm creeping and I'm creeping
But I damn near got caught 'cause my beeper kept beeping
Now it's time for me to make my impression felt
So sit back, relax, and strap on your seat belt
You never been on a ride like this before
With a producer who can rap and control the micstro
At the same time with the dope rhyme that I kick
You know and I know, I flow some old funky ****
To add to my collection, the selection
Symbolizes dope, take a toke, but don't choke
If you do, you'll have no clue
Of what me and my homie Snoop Dogg came to do

It's like this and like that and like this and a—
It's like that and like this and like that and a—
It's like this, and who gives a fuck about those?
So just chill 'til the next episode

You've got the feeling
Rock the other side
You've got the feeling (Yeah, yeah)

Falling back on that *** with a hellafied gangster lean
Getting funky on the mic like a old batch of collard greens
It's the capital S, oh, yes, I'm fresh, N, double-O, P
D, O, double-G, Y, D, O, double-G, you see
Showing much flex when it's time to wreck a mic
Pimping hoes and clocking a grip like my name was Dolemite
Yeah, and it don't quit
I think they in the mood for some motherfucking G **** (Hell yeah)
So, Dre (What up, Dogg?)
Gotta give 'em what they want (What's that, G?)
We gotta break 'em off something (Hell yeah)
And it's gotta be bumping (City of Compton)

Is where it takes place, so when asked, your attention
Mobbing like a motherfucker but I ain't lynching
Dropping the funky **** that's making the sucker ****** mumble
When I'm on the mic, it's like a cookie, they all crumble
Try to get close and your ***'ll get smacked
My motherfucking homie Doggy Dogg has got my back
Never let me slip, 'cause if I slip, then I'm slipping
But if I got my nina, then you know I'm straight tripping
And I'ma continue to put the rap down, put the mac down
And if you ******* talk ****, I have to put the smack down
Yeah, and you don't stop
I told ya I'm just like a clock when I tick and I tock
But I'm never off, always on to the break of dawn
C-O-M-P-T-O-N and the city they call Long Beach
Putting the **** together
Like my ***** D.O.C., no one can do it better

Like this, that and this and a—
It's like that and like this and like that and a—
It's like this, and who gives a fuck about those?
So just chill 'til the next episode

You've got the feeling
Rock the other side
You've got the feeling (Yeah, yeah)
You've got the feeling
Rock the other side
You've got the feeling (Yeah, yeah)
You've got the feeling
Rock the other side
You've got the feeling (Yeah, yeah)